In both hotels the art has been used positively, with mixed results, although this may just be my taste judgement. In the Walt the bedheads are large copies of parts of classical canvases, and whilst it may be unnerving to be under the fixed gaze of a cavalier whilst in one's bed, the overall effect is striking and amusing at the same time, as well as very skilfully executed. The coloration of the paintings is picked up in the fabrics to pleasing effect, and the use of the art is this way gives the bed the importance in the room, helping it to be more than just another hotel bedroom - appropriate for Paris with its romantic image. With the bed the centre of focus the room still has sufficient desk space for working at a laptop, although there is a lack of drawer space. But then perhaps one is not supposed to need many clothes for a romantic break in Paris...

In the Marquis the paintings throughout are harmonised and sectioned as if cut off the same large canvas. To my eye the result is too hard, at odds with the romantic feel of the hotel generally. Where the Walt imagery reinforces the design, at the Marquis the art is too blunt, slightly coarse. In smaller pieces it works, but in the bedrooms I don’t feel it does anything to enhance the ambience.

The hotels enjoy a voluptuous sense of colour, and their design is delightfully French whilst being in step with fashion in contemporary hotel design. Furniture is a mix of modern interpretations of classic French pieces with contemporary designs mixed in. With the strong use of fabrics and colour the result is very successful. The overall image is strong, contemporary, and has some delightful touches. The owner’s investment has been wisely spent and the hotels will establish their own loyal clientele who will appreciate their modernity, style and location.