Designed by London based RPW Designers, the Westin is located in 14 floors of the City's newest skyscraper - the super slimline 32 storey Millennium Tower.



Located opposite Rotterdam's Central Station in the heart of the business centre, alongside the "de Doelen" congress centre - with a link bridge at first floor level - as well as next to a refurbished concert hall, shopping centre and casino, the Hotel was expected to meet the needs of both business and leisure visitors.

Stimulating development
RPW worked alongside the British developers, Kinfield who wanted a visually stimulating and unique property both architecturally and in terms of the hotel interior design.

   

Potentially dwarfed by the office floors above and Rotterdam's busiest convention centre next door, the Hotel could all too easily have seemed insignificant within the mix. RPW's Francesca Basu saw this as a challenge to draw hotel guests as quickly as possible into the hotel experience and then maintain their interest from one area to the next.


The solution was to create a dramatic succession of change: cool and uncluttered schemes followed by bold, strong colours and rich materials, followed by more colour and so on. Within each space itself, pale and restrained finishes are contrasted with splashes of bold colour, eye-catching features and pieces of furniture which aim to surprise and hold interest.

 
     

An importance to connect the Hotel with Rotterdam was noted and guests respond with interest to design features which harness locality.

 



Into the lighthouse
A particularly bold area of the hotel is the first floor where arriving from a neutral lift lobby, guests pass through a brightly painted blue space leading to The Lighthouse - the 24 hour restaurant bar - where colour, texture, lighting and choice of furniture serve to break up the large space, create drama and achieve pockets of intimate seating as well as areas where people can sit and watch - or be watched.


One area in which this approach is most clearly demonstrated is the entrance lobby where two five metre high works of art by the leading Dutch artist, Harald Vlugt, which draw on Rotterdam and its port for inspiration, establish a visual interest and local relevance from the outset.

Behind closed doors
The Lighthouse is designed to work as well for breakfast as for dinner: folding, mirrored doors enclose the servery at night and sliding panels obscure the bar in the morning.


Point of reference
Again, references to Rotterdam's inheritance are carefully integrated into the scheme: at one end, the bar wittily suggests the prow of a boat and, in another area, The Lighthouse offers the Dutch tradition of a reading table but with a modern twist. Here, guests may sit to have a drink or snack or simply to catch up on their reading. Two further works of art by Harald Vlugt provide additional local reference.

 

  Contemporary guestrooms
Guestrooms are reached via corridors of deep aubergine, carpets designed by RPW suggest Dutch flowers in bloom and artwork offers a different story on each floor. Standard guestrooms are designed in two colour schemes: neutral tones with either red or blue accents. The maple furniture is in a contemporary style and all the rooms have desks in wenge timber.
 

    The presidential suites
There are 14 suites - including two presidential suites where the red and blue highlights are richer and deeper. Artwork here is particularly interesting replicating old maps and etchings of Rotterdam taken from antique books, combined with bold contemporary prints.
 
       

 

 

   

Much of RPW's design is in overseas locations where, says Francesca Basu, "We have the opportunity to really research the history, current culture and design trends of the location. Every hotel can be a chance for some national expression and interpretation by the designer so as to create distinctive and exciting interiors for international hotel brands as well as for independent hotels."

 
Development Team:

Architect / Designer:
RPW Designers

Photography:
Nick Sinclair

 

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